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HP Indigo, archival matte, and noon in Chennai
Screens lie. Paper has to survive real daylight, not a dim café.
Indigo printing is as close to a calibrated screen as paper gets — fine colour, no cheap-dot look.
We pair it with archival matte so a south-facing room does not wipe the blacks. Gloss is for magazines. Books live in houses.

If you shoot in harsh noon light, matte is even more important. The photo stays, the glare does not.
Turn this kind of story into a hardcover.
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